The Pietasters

The Pietasters

The Dull Blue Lights, Behind Deadlines

Sun · January 28, 2018

Doors: 7:00 pm / Show: 8:00 pm


Tickets at the Door

This event is 21 and over

The Pietasters
The Pietasters
The seed was planted in 1990. A bunch of friends started a band with no pretensions: the idea was to make music for house parties, not to make a career out of music. These guys and a girl grew up in and around Washington, D.C. The scene was small and all the Punks, Skins, and Mods intermixed in those days. You were as likely to see a Mod at a Scream show as you were to see a Punk at a Toasters show. This varied influence is what informed the covers that the Pietasters played and the originals they wrote trying to emulate their favorite bands. From Two-Tone Ska, to Jamaican crooners like Alton Ellis, to Stax, Motown, harDCore, and British Punk, the Pietasters played what they liked to play and the house partiers appreciated the mix and crammed into basements and living rooms for sweaty all night keg drinking and dancing.

Playing on weekends and during the summer they slowly expanded their touring area, made new friends, and gained the notice of music fans up and down the east coast. The influence of D.C.’s DIY punk scene informed the band of how you should tour, on your own terms. After releasing a self-titled album in 1993 they hit the road in an old school bus and headed west. Relentless touring through the early 90s got them friends all over the U.S.A. MOON Records took notice and the band released two albums, Oolooloo, and Strapped LIVE, on that storied label during the magic days of third wave ska alongside bands like Hepcat, The Slackers, Toasters, etc.

In 1997 Hellcat/Epitaph signed the band to a two album deal. Willis, and Awesome Mix Tape #6 followed. Both albums benefited from the direction of legendary producer Brett Gurewitz. At the same time ska blew up. The Mighty Mighty Bosstones, No Doubt, and Sublime ruled the airwaves. The Pietasters were lucky enough to tour extensively with The Mighty Mighty Bosstones. The Plaid Boys from Boston introduced the Pietasters to Europe and beyond as well as taking them on tours of the US and Canada. From this point on, the Pietasters were established as one of the best live shows money can buy. From the circus that is the Warped tour (US/Canada/Europe) to a once in a lifetime support slot with Joe Strummer, the Pietasters crisscrossed the world, leaving the dance floor covered in blood, sweat and beer.

After the 2002 release of Turbo on Fueled by Raman the Pietasters’ hard work was rewarded with more good luck. In 2003 the Pietasters were chosen to back James Brown at the WHFS Holiday Nutcracker Ball at Washington, D.C.’s MCI Center (now Verizon Center). This was no support slot: this was the Pietasters playing as Mr. Brown’s band for the night. This was the start of a friendship with the Godfather of Soul that lasted until his passing.

All of these influences, events, and memories were distilled in the band’s 2007 release All Day. The album showcases how the band grew from playing sweaty house parties to sweaty nightclubs to sharing the stage with some of the world’s best musical talents. While playing live they can’t get away with not including most of Oolooloo in the set, but they try to slip in as many cuts from All Day as they can. The Pietasters continue to deliver a world-class performance of their style of Ska, Rock and Soul – sing along songs and dance-through-your-socks rhythms played by friends who remain true to their roots. A new album is in the works and they can’t wait to get back to a club near you.
The Dull Blue Lights
The Dull Blue Lights
The Dull Blue Lights are a band in between. Drawing from influences as varied as Motown soul, Nuggets psychedelia, and Jamaican rocksteady, the Philadelphia-based group’s definitive blend of cascading harmonies, screaming guitars, and relentlessly grooving rhythms lives somewhere between each one. The band calls this in-between sound Basement Soul. That sound has been eight years in the making, and is only the latest in the band’s long series of transformations.

Originally deemed The Snails, the group was formed in 2009 as a quartet by singer and lead guitarist Todd Fausnacht and played in the styles of punk, blues, and rockabilly music. Fausnacht’s affinity for British rockers The Clash quickly pointed his attention toward Jamaican styles of music -- ska, rocksteady, and reggae. The band had begun establishing themselves as The Clash’s increasingly Jamaican-inspired would-be heirs by the time of their first large-scale release, 2011’s From Kingston to Memphis. That record, which Boston Ska writer Alex Chiasson called “more abrasive and energetic than almost anything else available in the genre,” featured a surprisingly cohesive blending of seemingly incompatible genres -- Clash-inspired punk, traditional ska and roots reggae, and Chuck Berry-esque rock n roll -- that would remain a defining trait of the band through its many transformations.

The Snails (soon to be The Dull Blue Lights) delved deeper into their Jamaican influences following From Kingston to Memphis with two EPs released in 2012, The Snails Meet The Heavy Beat at the Underground Echo Cellar and The River with Stubborn Records. Their cultivation of Jamaican influence culminated in the 2014 double EP Songs from the Hydrogen Jukebox Vol. 1-2, released on Asbestos Records. A deliberate exploration of traditional ska and rocksteady that also features the group’s characteristic smashing together of genres, the EPs were praised by reviewers as an example of “a relaxation in tone [that] gives way to a much more mature style of writing” (Boston Ska’s Alex Chiasson) and having “some strength in the songwriting and production that I [Reggae Steady Ska writer Jaochim Uerschels] haven’t heard for quite some time.”

While their records have been well-received, The Dull Blue Lights are best known for their electrifying live performance. Philadelphia radio personality John Vetesse called the band “an incredibly tight unit … that can walk that precarious balance beam between practiced performances and unhinged spontaneity.” Mathieu Perrier writing for Bucketlist Music Reviews explained, “If their recorded material has even a shred of the energy that their live show does, [The Dull Blue Lights] could very well be one of my new favourite bands.”

Having embarked on their first tour in 2012, the band has had ample opportunities to share its polished yet gritty stage show with audiences of all sizes at home and abroad. Their resume as The Snails includes the five-week Version City Tour supporting and backing King Django of The Stubborn All-Stars in December 2012 and January 2013, and six dates supporting Big D and the Kids Table’s 20th Anniversary Tour in April 2016, with a handful of self-booked tours of varying lengths in between. Their festival appearances include consecutive performances at the Virginia Ska Fest in 2014 and 2015, Montreal’s Pouzza Fest in 2016, and 2017 SuperNova International Ska Fest. The Dull Blue Lights (as The Snails) have been frequent guests of Philadelphia’s Boogaloo Soul Revue and BlueBeat DC, frequently packing rooms to capacity at each event.

One of the band’s favorite pastimes while visiting new cities is to recruit locals’ help in discovering the best local record stores, constantly on the hunt for rare 45s and must-have LPs. Their passion for music discovery eventually led them further beyond the search for deep Jamaican cuts and into the worlds of soul and psychedelic music. Their writing began to reflect this emerging interest into different sounds of the American ‘60s, and in August 2015, the band traveled to the Bomb Shelter studio in Nashville to work with producer Andrija Tokic on a new full-length record in the style of what they would come to call Basement Soul.

While the Jamaican influence on these tunes is undeniable, The Dull Blue Lights have introduced a plethora of new sounds into the mix in their by-now classic mish-mash style. The fuzz guitars of garage rock, the driving rhythms of soul, and the playfulness of psychedelia have all found their way into these 10 tracks, among some of the group’s old tricks. Their first single from the new record, “Basement,” is a favorite among live audiences, and has received critical acclaim as well. Writing for WXPN’s The Key, Erin Blewett says, “[I]t features everything we love about this reggae/rock outfit: funky basslines, a perfect coalescence of two seemingly polar opposite genres, and of course the growling vocals of lead singer Todd Fausnacht,” and calls it, “the perfect track to get you out of bed on a Monday [m]orning.” The new record, The Dull Blue Lights, will be released July 13th, 2017 with a release show at The Barbary in Philadelphia.

The Dull Blue Lights are Todd Fausnacht on guitar and lead vocals, Ben Parry on bass and lead vocals, Matt MacLeod on organ, Tim Hildebrand on guitar, and Josh Parry on drums.
Behind Deadlines
Behind Deadlines
"Remember when bands were fun? When sounding cool took a back seat to sounding good? Behind Deadlines remembers. And they can show you. Dressed in gray collars, ties, and vests, their energy and horn-driven sound is fully designed to make audiences move more than their necks and cellphone cameras. Play any of the songs or music videos of their full-length album Status Quo and see if they don't put a smile on your face. Philadelphia's brotherly love clearly shines through in their live show, which is more of a party than a performance, disarming and welcoming everyone in attendance. Catch one show and you'll immediately find yourself asking when you can see the next. If you've missed out for this long, it's high time for you to check out this band."
Venue Information:
Kung Fu Necktie
1250 N Front Street
Philadelphia, PA, 19122